Mostrando entradas con la etiqueta Motorhead. Mostrar todas las entradas
Mostrando entradas con la etiqueta Motorhead. Mostrar todas las entradas

miércoles, 15 de septiembre de 2010

Don't let Daddy kiss me





Little girl sleeping in dreams of peace
Mommy been gone a long time
Daddy comes home and she still sleeps
Waiting for the world worst crime
And he comes up the stairs like he always does

And he never turns on the light
And she's wide awake, scared to death
She smells his lust and she smells his sweat
Curled in a ball she holds her breath

Praying to a God that she's never met
Don't let Daddy kiss me, don't let Daddy kiss me
Goodnight

Little girl lies by her Daddy's side
And she listens to him breathe
She knows there's something awful wrong
That she's far too young to see

And she knows she can't tell anyone
She's too full of guilt and shame
And if she tells she'll be all alone
They'd steal her Daddy and they'd steal her home

And it's not so bad when Daddy leaves her alone
Praying to her God with his heart of stone
Don't let Daddy kiss me, don't let Daddy kiss me
Goodnight

Why, tell me why,
The worst crime, in the world

And so Daddy lies by his daughter's side
And he sleeps deep and well
No nightmares come to him tonight
Though his daughter lives in hell

For his seed is sown where it should not be
But the beast in his mind don't care
And the only sound are tears that fell
Little girl turns her face to the wall

She knows that no-one hears her call
But it seems that God hears nothing at all
Don't let Daddy kiss me, don't let Daddy kiss me
Goodnight


En Spotify existe una verción de la banda valenciana http://www.myspace.com/uzzhuaia

miércoles, 4 de marzo de 2009

Orgasmatron

Iba yo el otro día escuchando mi mp3, cuando sonó Orgasmatron. Hacía mucho que no le tocaba (cosas de llevar muchos temas en aleatorio) y de nuevo me encantó. Ese riff pesado como una monstuosa maquinaria en marcha sin engrasar... simplemente perfecto. Hay algo en ese tema que me retrotrae a aquel Sister Ray del que algún día hablaremos aquí. ¿Que no? Cada uno tiene su historia!

A la vuelta, se me ocurrió mirar los riffs de referencia que tenemos y no estaba. No diré yo nada de los que salen (por no señalar) pero este Orgasmatron se merece estar, en mi opinión, sin la menor duda. Así que lo añado como ya añadí aquel "I wanna be your dog".

El orgasmatron le suena a la gente por el prefijo (lo de "orgasm.."). Era el nombre que le dieron a un aparato (una especie de coso) cuya función era provocar (o inducir) orgasmos. En estos tiempos en que no queremos saber de donde sale el bistec que comemos, quizás triunfara un sistema para no saber de dónde salen los orgasmos que tenemos. Jejejej.

Originalmente, el tema lo grabó Motörhead en su album del mismo nombre (osea Orgasmatron, no Motörhead). Luego han habido versiones para parar un tren.

Una de las primeras y, probablemente, la más famosa (quizás tanto que hay gente que no saben que el tema es de Motörhead) es la de Sepultura. Lo que no me esperaba yo era encontrar en el youtube semejante cantidad de versiones. Así que os traigo una pequeña selección para deleite de... ok,ok, ya me callo!



I was walking few days ago listening to the music in my mp3 player, when started Orgasmatron. There was a lot of time without hearing it (you know, this happens when you carry lots of song in random mode) and again I liked it as usual. That heavy riff as a screeching monster machine... just perfect. There's something in that song that brings me back to the Sister Ray, a song I hope we will bring here soon. ¿You don't agree? Nobody's perfect!

Back home, I checked the 100 riffs list and it wasn't. OK, I will not talk against anyone but I think that Orgasmatron deserves a place on it. And.. I have added that song. Simple. As I did with "I wanna be your dog".

Orgasmatron has a memory from, you know, orgasm. And, in fact, it was the name of a tool or technology able to cause or induct orgasms.

The theme was originally recorded by Motörhead in the same name album (Orgasmatron, not Motörhead). Later, there have been lots of covers.

One of the first covers and, probably, the most known (at the point there's people who doen't know the song is a Motörhead one) is the Sepultura one. But I really didn't expect to get at the youtube that amazing quantity of covers. You will find here a small selection of these covers... ok,ok, I stop!



Motörhead. The ones!


Sepultura





Yat Kha. Una flipe-versión que hay que ver. Yo aun no me lo creo.


Transmetal. Una versión es español desde Mexico


Kantera desde Chile, con un guitarra excepcional (que me recuerda a alguien XDDDDD)


Face Of Death desde Trinidad


Arkhadian desde Bogotá hace pocos días (el 27/02/2009)


Seguimos con versiones hispanas: Endora


S-Tribe, una cover band en un local amplio XDD


Desde bangalore... Threinody


Predathor desde algún lugar que yo juraría que está en el este de europa


Athanator


Nargaroth


Satyricon



miércoles, 7 de mayo de 2008

Cuidado con la cabeza

Siete de mayo. A punto estaba yo de cumplir los cuatro años cuando apareció un bebé a quien llamaron Phil Campbell y que, 23 años después, se uniría a Motörhead con su guitarra colgando para ir de visita a un piso mas raro que la calentura.




Una cara no tan conocida: Whorehouse Blues


Y le damos la vuelta para encontrar Iron Fist


Lo dicho, cuidado con la cabeza.


domingo, 24 de febrero de 2008

Moroccan Heavy Metal Lives On After Satanism Trial

¿Alguien puede imaginar que te metan un juicio por satanismo porque te guste el Heavy Metal? Pues esas cosas ocurren....

Nos lo cuenta Bravewords (los enlaces en el original). Y, después de la crónica, un video para todos ellos.

According to Tom Pfeiffer Reuters Life!, hundreds of Moroccan heavy metal fans met on Saturday for their biggest festival in the north African country since a group of hard rock enthusiasts was jailed five years ago for "Satanism".

Braving the opprobrium of Islamists and heavy rain, young men in black jeans and jackets, goatee beards and dreadlocks trudged to a cavernous concert hall in Sidi Kacem, a market town in a farming region of northern Morocco.

As the first group HAMMERHEAD began tuning up, a small Fiat drew up outside the hall and two police officers stepped out.

"It's OK," said organiser Yassine Ould Abbou, 22. "They're just here to check the security arrangements."

A clang of grinding guitar feedback signalled the start of the concert and prompted startled glances from veiled women and men on mopeds passing by.

"Most people in this town have never seen an electric guitar," said Yassine. "We had 500 people at our last concert in 2005 and this time we're expecting about 1,000."

The concert began with only a few dozen spectators leaping and whistling in the hall, but organisers said attendance peaked at between 600 and 700.

"Going to war, give 'em hell, there's no escape, that's for sure," shrieked student Hamza, Hammerhead's 21-year-old singer.

Next up were XENOPHILIYA, students from Meknes who say they take their inspiration from US band MEGADETH.

The atmosphere became more anguished, the words almost incomprehensible behind jarring guitar riffs.

Outside, local boys and girls clustered near the door, transfixed by the cacophony within.

Many of the musicians agreed it was an uphill struggle being a hard rocker in a Muslim country, where the king wields paramount power.

"The big problem is finding somewhere to practise," said Xenophiliya's Khalid Lamnour. "People stop us playing sometimes. They think we are Satanists but they don't know our music."

Motorhead y Girlschool